Saturday, February 18, 2012

Monster Hospital

OH HAI.

It may be because of the Japanese Festival last week but I've been on a weird Japanese-high this past week. I don't normally watch dramas from overseas but gave a little Japanese drama called, "Orange Days" a shot. This came about when one night I realised that "47 Ronin" - a Hollywood version of a famous Japanese story that has been brought to screen numerous time in Japan - releases later this year (albiet in 3D) and I was reminded of just awesome the cast for this film was (Keanu Reeves, Tadanobu Asano, Hiroyuki Sanada, Rinko Kikuchi and Kou Shibasaki).

Then I realised that aside from Kou Shibasaki, I was pretty much very familiar with the other actors. I mean I knew she was Mitsuko in "Battle Royale" but other than that she's not really a huge name as far as I know. So then this lead to me seeing what else she had been in and I found out that she'd been building a steady acting career mostly through Japanese drama television and that's how "Orange Days" came about!

In addition to that, I was also reading "Battle Royale" and was able to finish it this week. Fantastic read! You can't really put it down at all - the book just sucks you in. It was nice having the film as a reference for what the characters could look like and how their situations would play out in my mind but I think the book was better than the film in terms of clarifying WHY the Battle Royale program is implemented as well as providing much more background on a lot of the lesser known characters that get killed off-screen in the film. Also some of the changes from book to film are for the better because there were a few situations in the book that had me raising an eyebrow.

And to top it off I also watched a Japanese film called, "Su-ki-da". Thoughts on that film can be found below. But yeah, that's pretty much my weird Japanese-themed week there. I don't think I did much else during the week aside from going to the cinemas to both work and unwind.
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WHAT I'VE BEEN WATCHING


This week I was able to watch (and finish) the Japanese television drama, "Orange Days", Hiroshi Ishikawa's second feature film, "Su-ki-da", the super-powered "Chronicle", and the silent feature that's captured everyone's hearts, "The Artist"! SO AWAY WE GO!

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  • Quite liked this drama!
  • It doesn't quite feel like your typical drama although (and this will make my point rather redundant) it does have a few cliche moments here and there that most Japanese drama enthusiasts would be familiar with.
  • I don't claim to be an expert on the matter though as I've only seen a very small handful of Japanese dramas.
  • The show centers itself around the friendship/romance between Kai, a student stuck between college and the real world, and Sae, a deaf violinist struggling to cope with her disability.
  • Essentially the show is a coming-of-age story that utilises the romance between these two as its driving force.
  • And I can definitely feel like I could relate to the characters in the drama, being that I am in the same situation as Kai and his friends.
  • The show does get a bit corny at times but I feel like as though that's the staple among dramas in general, not just in Japan but throughout most of Asia.
  • But for all its corniness, you just want to cheer for these characters and wish them all the best (despite the fact that they're fictional).
  • I'll be honest and say that I yelled at the screen when something would happen between Kai and Sae.
  • Disappointingly though, the show rushes towards it's conclusion a little too quickly and ends on an extremely positive high which is completely different to the tone that the first few episodes were trying to convey but nonetheless, it's quite an enjoyable drama.

No trailer but here's the closing credits sequence/song from the drama that captures much of the spirit of the drama.

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  • This may be an unpopular opinion but I'll say that while I did enjoy "The Artist", I didn't think it was deserving of as much praise as it has gotten.
  • The film pretty overrated in my opinion but that doesn't stop the fact that it has the power to delight audiences.
  • It looks exactly like a film that "they just don't make any more" but I would prefer a film like "Hugo" over this as far as cinematic nostalgia goes.
  • My biggest problem with "The Artist" were the moments where (SPOILER ALERT!) they introduce sound to the film.
  • To do this would be to undermine the entire film, I thought.
  • I mean the film WANTS to be a silent feature (even providing a 4:3 screen ratio on screen for the film) and yet to introduce sound in a few moments throughout the film is a bit distracting.
  • You might think it's clever and a bit self-aware/tongue-in-cheek, but I thought that in doing that, it undermined a lot of the film's aesthetic.
  • But never mind that, "The Artist" is still a fairly enjoyable film and is one that is primed for many Oscar wins (if the BAFTAs were of any indication).
  • To say that "The Artist" is a triumph is to put it lightly though as it is quite amazing to see that, in this day and age, it's a silent film that is getting all the buzz.
  • Maybe people are too quick to proclaim this a masterpiece and want desperately for a film to be similar to the ones they used to make.


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  • It's always have good to bring in some different perspective and new stories in a popular genre and I think "Chronicle" does a good job of providing a different take on the superhero origins.
  • If this film was stripped of it's powers, it'd essentially be a very Columbine-esque situation for Andrew, a kid who has a terrible time at school and at home.
  • A lot of the film reminded me of "Akira" which would be more than appropriate what with Andrew's downfall and backlash against everyone.
  • My only complaint is the whole "found footage" technique.
  • It works on an emotional level in the beginning of the film when the guys are just goofing around with their newfound abilities and paints a very intimate potrait of them but later on loses it's meaning and becomes less personal and more cinematic.
  • I'm not a fan of the "found footage" technique yet as often in films they are rather gimmicky but I understand that it's a relatively new technique that's only beginning to find it's footing amongst film makers.

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  • Very tough film to sit through as most of the time nothing really happens.
  • Characters just stare off into the distance and don't do or say anything a lot.
  • Ishikawa's a tough director who prefers long and lingering takes on actors to make emotions more emphatic and, in addition to excruciatingly long takes without cuts in between is the lack of action and dialogue.
  • The constant cutaways to the sky seemed too pretentious for my taste.
  • Moreoften than not, his characters don't say much and let their faces and body language do the talking.
  • It works to a degree and to pull it off he'd have to have good actors which, fortunately for him, he did get.
  • Aoi Miyazaki impressed the hell out of me in this film - she did so little and yet was able to convey so much with her time on screen.
  • The scene where Yu and Yosuke share their first kiss is beautifully directed and you can't keep your eyes off Miyazaki's character in that scene.
  • I didn't really enjoy the film all too much which is a shame considering that I liked Tokyo Sora, despite it's flaws.
  • I read one review of the film however that made me change my perspective on the film but that doesn't necessarily mean that I like the film because a lot of the time it's very boring.
  • Oh and Aoi Miyazaki, once again, finding herself in a film that involves itself with music just like in the last few films I've seen her in.

Not a real trailer but I don't imagine the actual trailer to a good job selling the film because it's a hard sell for a film BUT this comes close enough. I probably like this more than the film even though it doesn't present the adult versions of Yu and Yosuke.

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I don't really want to add much else to this post. Couldn't be bothered doing a film news section this week so I'll just leave it here. As always the title from today's post is brought to you by Metric. I had my iTunes on shuffle while I was reading "Battle Royale" and this song came on. I just thought it fit so well with what I was reading at the time. Very cool.



End post.

Sunday, February 12, 2012

Our Deal

HEY HEY.


On Saturday I was at the Japanese Summer Festival to my volunteer my time to lend a helping hand in guiding people around. It was a pretty nice gig - got to a hang out with a friend of mine (she wanted someone to volunteer with and I said I'd be interested) and enjoy a pretty fun festival. The job was simple too which is always good. I sure volunteer for a lot of things...

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MY SCOTT PILGRIM COMIC BOOK COLLECTION IS NOW COMPLETE

Look! My order for the final three "Scott Pilgrim" books arrived in the mail this week! I look forward to finishing off the rest of the series (which so far has proven to be better than the film and a lot different too!). I will start it up again once I finish reading "Battle Royale" (which so far has been nothing short of exciting - VERY HARD TO PUT DOWN!).
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WHAT I'VE BEEN WATCHING


I wrote another fully written review this week! This time it's for the magnificent film "Shame"! If you're keen on reading what I had to say, head on over to Mark Battistella Films and check it out for yourself!


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  • Interesting choice in direction by director Steve McQueen.
  • The film could have easily gone through a whole number of interpretations but McQueen chooses to go for an approach that, by the end of it all, comes off as a masterful stroke of artistry.
  • Sands’ death is rather beautiful in a strange way.
  • Being that the story of Bobby Sands is true, one that might not be known all around the world, McQueen chooses to focus his attention on both the prison that housed the IRA and on the hunger strike that Sands and his inmates partook.
  • Less an autobiographical tale and more a character study, I feel.
  • And what’s a good character study without a good actor to bring that character to life.
  • Michael Fassbender’s performance is charged with such quiet intensity - truly magnificent and utterly dedicated to the role.
  • Comparisons to Christian Bale in The Machinist are more than appropriate as Fassbender, under careful medical supervision, starves himself for the sake of the film.
  • A quiet film with a lot to say.

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  • Did not find it all that funny.
  • I mean I chuckled here and there but it wasn’t as hilarious as a lot of people make it out to be.
  • I got really bored after the walk-off.
  • Super unpopular opinion here but I just didn’t think it was good.
  • Now can someone explain to me why a film like Anchorman made me laugh much more than this?
  • I mean both are completely stupid films but I think it’s Will Ferrell’s commitment to Ron Burgundy that makes all his time on screen to be hilarious (just answered my own question, I think).
  • With Ben Stiller’s Derek, I just could not give a crap about him - there was nothing about the character that I liked and I never found him to funny at all.
  • Going around in circles here, I’ll just stop.

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  • Terribly slow film and very disjointed in terms of pacing as certain characters aren’t given enough time to develop or have their individual stories cut off.
  • But that doesn’t really matter because the film is still rather enchanting in a strange way.
  • Nothing about the film is remarkably special and yet there’s a pull behind it that makes the film all the more captivating.
  • This is pretty much due in fact to the way in which the film is directed.
  • Hiroshi Ishikawa shows us life in all it’s mundaneness with his choices in cinematography (all of which are quite lovely to see).
  • I swear you would’ve thought that someone just followed a bunch of women around Tokyo and edited together a film out of it.
  • The realism and the degree of veracity behind it is what makes the film uniquely outstanding.
  • And the themes that are evoked from the film - loneliness, aspiration, depression etc. - are all what help give the film a sense of personality - drawing you into the lives of these six individual women.
  • In the end the problems with the film can be forgiven due to the way in which Ishikawa moves the film, allowing the characters to just simply "live" rather than give them situations to overcome.
  • They just live.
  • Beautifuly poignant and quite comparable to Maboroshi no hikari, another fantastic Japanese film of a similar nature.
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TIDBITS OF FILM NEWS


Look alive guys, it's the new trailer for "The Amazing Spider-Man"! It's a lot different to the first trailer that was released some time last year and offers up a more grand and epic scope for the film rather than probe into the more "emotional" aspects of the film. Also, Garfield's wise-crack at the car thief while in costume was spot on to how I'd imagine that line to be delivered.


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And if you're a fan of the Bourne series, here's the trailer for "The Bourne Legacy" which is being taken over by Jeremy Renner. Also, I did not know that Edward Norton was in this so all of a sudden I'm interested in this (I haven't seen the third film and can barely remember what happens in the first and second film... so needless to say not a huge fan of the series by any means).

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This week's blog post title comes from a track by indie/surf-rock band, Best Coast. The video for their song (embedded below) stars Chloe Grace Moertz, Tyler Posey, Alia Shawkat, Donald Glover, Miranda Cosgrove and Shailene Woodley and is directed by Drew Barrymore.

I really want to see the full short (runs at ten minutes, from what I hear) but this is the best I could find. I remember catching wind about this video at the time of it's release but couldn't find a copy of it to watch because it was unavailable in Australia (which is pretty stupid if you ask me).

But as always, I'll leave it right there and let you guys enjoy some easy-going tunes. Have fun and be safe. Ciao.


End post.

Monday, February 6, 2012

One Hundred Years

Hey all.

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On Sunday, I was out and about at an event for Old Mout Cider. A friend of mine who volunteers with me at ACMI invited me to the event since she works as Old Mout Cider's marketing person (so she pretty much organised the whole event). It was at Young and Jackson which is pretty much the pub that's straight across the road from Flinders Street Station. Invited some friends out and had a pretty awesome day out. But why re-tell it when Ellen's already done so? Boom.

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Super thick novel is thick. My Battle Royale novel came in the mail this morning and I am a bit taken by just how thick this novel is. Perhaps it’s because I’ve been reading shorter works as of late…Wandering around the city and found a copy of Anvil - The Story of Anvil on DVD for only $7.00. Absolute value, immediate buy. If anyone’s followed me on Tumblr and Blogger, they’d know that this doco recently became a huge favourite of mine, it’s sitting somewhere in my top ten, I’d say. Brought me to tears, this film did.

Ordered "Battle Royale" through The Book Depository and recieved it in the mail this week. Also bought myself a copy of "Anvil: The Story of Anvil" at JB Hi-Fi on impulse (but a film this good warrants a purchase). I was surprised at just how thick the novel was but people on Tumblr have been telling me that it's a really quick read. We'll see about that (slow reader).

As for the DVD, I think that anyone who has consistently read my blog (no one), will know just how much I fell in love with documentary. One of my favourite films ever - hugely inspirational and one of the few films to ever bring me to tears (suggesting that I am a big burly man who shows no weak signs of emotion).
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WHAT I'VE BEEN WATCHING

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Who follows me on Tumblr? You do? Well you must know how much I am in love with Elizabeth Olsen's everything. I am so in love with her that I went out to see her film, "Martha Marcy May Marlene", last week which recently released in select cinemas across Australia!

Now this is the part where you normally see my quick thoughts on the film but here's something a little different for today. I submitted a written review (yes, I'm actually back to doing these again!), over to Mark Battisella Films so if you're interested in reading what I had to say about the film, please support myself and more importantly the website by heading over there and reading it (hell, why don't you go and tweet about it and like it on Facebook too!). No seriously, I'd really love it if you can spare a few minutes just to read it. Cheers.

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TIDBITS OF FILM NEWS


Since I brought up Elizabeth Olsen, here's a trailer for a new film she's a part of called, "Red Lights". The film, directed by Rodrigo Cortes ("Buried"), stars Cillian Murphy, Sigourney Weaver and Robert De Niro and is about a psychologist and her assistant, both of whom study in paranormal activity, investigating a world-reknowned psychic.

The trailer does a good job of selling me on the film but from what I've heard, the film isn't as good as one would think (which is a shame because it looks pretty good). I'll let you be the judge and I will anticipate this film any way.


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Also here's a new Superbowl trailer for "The Avengers". I'm very much looking forward to this film for many reasons (none of which I will name now). Once again, 2012 is the year to end all blockbuster films.


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And not so much film but more on the TV spectrum, here's a new trailer for Season Two of HBO's awesome series, "Game of Thrones". Just return to me now please... (you too, "Breaking Bad").


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And that is it for this week. Hey, here's the mandatory music highlight! Today's blog post title comes from a track by The Cure! There it is below and now you go and enjoy it.


End post.

Tuesday, January 31, 2012

Her Voice is Beyond Her Years

How's it going everybody?

Late blog post, I know. I was staying over a friend's house last night and we watched some really terrible films that were often rather hilarious. We watched "Future Sport", "The Secret Agent Club" and "Terminal Rush". Based on those titles alone, can you see what I mean by terrible films? These films were a dollar each and we still have two more of these films to see. So yeah, that happened. And no, I won't be discussing them. They're terrible but hilarious. I doubt anyone would want to waste their time doing what we do.

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It was my birthday last week for those who were unaware. I am now 20 years old am no longer in my teens. I didn't plan on celebrating my birthday at all (hell, I even went to work on my birthday!) but two of my best mates came over to hang out for a while and give me presents.

My birthday spoils! Now I need to buy the other books to complete the collection. Also my life is officially over now that I have a copy of The Old Republic to play.

Now all I need to do is buy the remaining three books! Also my life is officially over now that "Star Wars: The Old Republic" has come into my possession. I've never played an MMO where I've had to pay to play but this one looks pretty worth it. Thanks guys!
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WHAT I'VE BEEN WATCHING

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  • Anyone who lives in Melbourne should go catch The Interrupters before ACMI closes the film for this season.
  • A brutally honest, harrowing eye-opener of a documentary that depicts a year of violence in a city that's consumed by it.
  • The way in which director Steve James executes the documentary is that he brings the issue in a way that's both not glorified nor obscured.
  • And the way they depict the news media in regards to their reporting on violence in Chicago and in other parts of America is that it's something that they don't necessarily have a huge grasp on gang violence and look only for a story to cover.
  • It's crazy to think that these teenagers/young adults live this way - prepared to die at any corner with a gun tucked in their pants and a bulletproof vest over themselves.
  • It's even crazier to know that these guys don't expect to live past 25 and live for today not tomorrow.
  • There's a fantastic moment where James takes his camera and shoots various memorial sites dedicated to the recently deceased adolescents in Chicago and then finishes it up by showing a wall with each brick containing someone's name. The scene with a close-up of one particular brick that says, "I'm next", which for me was incredibly haunting.
  • Highly recommend that people watch this, a superbly made documentary.

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  • Enjoyed it for the most part.
  • Quite heavy with the political jargon in the early goings of the film which makes it hard to follow.
  • Also, the fact that it's American politics also makes it that much harder to identify.
  • But as far as all surface elements of the film are concerned (acting, story etc), they're all good.
  • And as far as political thrillers go, I was surprised to see some really nice shots in this film - rather decent cinematography in certain areas.
  • I dunno, the film's just okay - I was hoping to expect some form of satire (a la 'Network') but I just got a pretty decent film about American politics.
  • Yeah, don't really have much of an opinion on this to be quite frank.

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  • Hugo is one of the year's best films, hands down.
  • The film is one giant love letter to cinema while also acting as a fond reminder of cinema's humble beginnings.
  • Seriously, it's almost like a crash course in film history but you wouldn't really know it until you see it for yourself.
  • And not only is it a celebration of cinema but it's also a celebration of youth.
  • Essentially a children's film, it has a lot of potency as a film that captures a sense of innocence with much maturity - something you don't see a lot nowadays with children's features.
  • So that was a refreshing thing to see.
  • Hugo also acts as a positive argument for the use of 3D in films.
  • Naysayers might say that director Martin Scorsese "sold out" by using 3D but it's the way the 3D is integrated within the film's story and it's overall message that makes it a compellingly positive argument for 3D.
  • It's not clear at first why this film in particular would require 3D, but it becomes clearer.
  • Hugo isn't perfect though, there are problems with the story and it's a little muddy here and there with its pacing (a minor fault within Scorsese has a storyteller).
  • But otherwise, Hugo is a heart-warming film that is essentially dedicated to both the power of cinema as well as to the preservation of it.


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TIDBITS OF FILM NEWS

The nominees for the 84th Annual Academy Awards were announced last week and you can find the link to the list of nominees RIGHT HERE.

I was VERY surprised to see that "Bridesmaids" would get any nomination for anything but at the same time am rather happy for everyone involved with making that film because I thought it was pretty good (but definitely not "Academy Award-nominated" worthy...). I don't think ANYONE saw that coming.

My favourite film from last year, "Drive", walked away with only one nomination but for Sound Editing (come on... where's the nom for Best Actor, Best Director and Best Picture?). If there was any film from last year that deserved nominations for any major award, it was definitely this one. But cry and cry all I want, it won't happen.

Gary Oldman finally gets a nomination from the Academy for his work with "Tinker Tailor Soldier Spy" which was great to hear.

Elizabeth Olsen did not get a nomination for her breakout performance in "Martha Marcy May Marlene" which is a shame because I just want to see her at the Oscars... (but I will be able to see her in the aforementioned film this week finally...)

Another snub, according to those who've seen him in "Shame", is Michael Fassbender, who I thought for sure would get a nomination, considering that he's been nominated in every other award ceremony for Best Actor.

I'm also crying snub for "The Interrupters" because after seeing that documentary this past week, I was shocked that it didn't get any recognition whatsoever.

If I had to guess, I'm gonna say that "The Artist" will take home a lot of the major awards that evening. It seems to be the film that everyone is falling head over heels for so if I had to pick something to win, it'd be that. Pro-tip right there.
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So that's it. There was more to "Tidbits of Film News" but I'm too lazy to get started on that. I mean, the most that I cared for this week were the Oscar nominations, so I just wanted to get that out of the way and leave the rest another time. This blog post's title comes is provided by Mew, a band I've recently started to have a liking to. There are two different versions of the song, one slower, and another one faster. Not sure which one I like personally but botha re good. You can decide for yourself. Enjoy.





End post.




Sunday, January 22, 2012

Bangers & Mash

Hello all.

This week was a pretty average week. I watched some things and finished a book. Not exactly exciting, right? But then again this isn't an exciting blog. Oh snap.

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One thing that I forgot to mention last week which I shall bring up now is that Tokyo Jihen are disbanding by the end of February which makes me very sad. Sad because they're one of my favourite bands and to know that there won't be any more new material from them is more than disappointing. I wanted to see them live too because their live performances are fantastic but now I won't ever get that chance. It's a damn shame for a talented band like this to dissolve but my hope now is that Shiina Ringo continues her solo career after this.

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I was able to finish reading "Real World" this week and I thought it was a pretty nice read from start to finish. It may have dipped a bit too much into exposition every now and again but otherwise the novel was pretty much exactly what I had imagined - a deadly combination of "All About Lily Chou-Chou" and "Confessions". Add in a tiny dash of "Battle Royale" (referenced twice in the novel) and "Neon Genesis Evangelion" (referenced once in the novel) and you’ve pretty much got a book that provides an interesting psychological insight into the present day youths of Japan and criticism of Japan’s social expectations and emphasis regarding status and education. If you’re keen, give it a go.

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Speaking of "Battle Royale", I also ordered that during the week through The Book Depository and am most likely going to acquire a copy of the film on Blu-ray sometime soon also. Not very smart with my money but I tend to try and buy things in small amounts...
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WHAT I'VE BEEN WATCHING

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  • I'm pretty much convinced that David Fincher is a modern day Alfred Hitchcock.
  • The man knows how to work the audience and layers his films with much character and intrigue.
  • In some ways, TGWTT is almost like an amalgamation of all his films thus far.
  • The slow burn of The Game, the complexity of Zodiac, the darkness of Se7en etc.
  • Admittedly hard to follow however with so many names being thrown at you and the fact that you're dealing with what sometimes can be an incomprehensible accent. Sometimes.
  • Rooney Mara gives herself completely to the role and comes out guns blazing in a terrific performance.
  • Long film though. Bit too long. Was hoping the film would wrap up once the case was solved but there were other loose ends that needed to be tied up...
  • Trent Reznor and Atticus Ross provide yet another stellar score and I hope this partnership with Reznor, Ross and Fincher continues because their scores completley mix well with Fincher's films.
  • It's the first official film of 2012 for me so I am pleased it's this one that's the first!


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  • I didn't want to have to talk about each film individually because they're all more or less the same film all with the same amazing results.
  • Now as of writing this I have now just seen three of the five Police Story films - Police Story, Police Story 2 and Police Story 3: Supercop.
  • The films are pretty much what we've come to expect from Jackie Chan but it's with this film series in particular where his dedication to elaborate stunts and eclectic combination of comedy and action create an entire genre all on it's own.
  • Story and character are practically secondary in Police Story but that's okay because it's an action movie first and foremost - one spearheaded by Jackie Chan, no less.
  • The first and third films in particular just seem like the story is there as an excuse for action to take place.
  • The second film had more of an emphasis on story, bringing a focus on our hero and his girlfriend (played by Maggie Cheung!), but let's face it - we don't really need to worry about these things.
  • These films are meant to be fun and entertaining and aim to bring the audience a sense of awe and shock; bewilderment and spectacle!
  • And as we watch with wonder and observe a man dangling from a helicopter or witness a brawl in a shopping mall, we're all reminded of the dangers that go into making these types of films by the end of it all.
  • The highlight of Chan's films don't necessarily come from within the final product (as memorable as these scenes may be) but within the closing credits.
  • As with almost all of his films, a blooper reel is shown that shows everything that went wrong with particular stunts (eg. Michelle Yeoh on a motorbike trying to get onto a moving train but not quite getting there).
  • It's in these videos where you see the dedication in Chan and his stunt team's work and you appreciate the final product so much more in doing so.
  • Seeing these now has made me realise that while the man loves pleasing the audience, he's not happy until he gets the most out of himself for a scene.
  • He doesn't just want to get it right, he wants to get it perfect.
  • And in doing so, we're not really seeing an "action movie", we're seeing an "adrenaline movie".
  • A movie that pushes our desire to see and feel more danger and one that actually encourages us to respond to seeing a man dangling from a helicopter (with no safety harness or ground team spotting him) much in the same way that that very same man would be responding in that very situation.
  • These movies offer some of the most fantastic stunts ever committed to film and the fact that Jackie Chan would prefer not to use wires and other visual trickery with the camera makes the stunts in these films all the more credible.
  • Which in turn make Jackie and his team look like a Super... anything!


Trailer for the first movie.

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TIDBITS OF FILM NEWS

The only bit of news today comes in the form a teaser trailer for Mamoru Hosoda's newest feature, "Ookami Kodomo no Ame to Yuki" which I think translated is "The Wolf Children, Ame and Yuki". Hosoda's previous directing credits include, "The Girl Who Leapt Through Time" and "Summer Wars" so needless to say, I am pretty excited for this one.

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And that's all for today's post. Today's title is contributed to by Radiohead and is from the second disc of their album, "In Rainbows".